Articles Ramanathan – South Indian Music

Abhinavagupta’s interpretation of the Music in Nāṭyaśāstra

Acoustical Observations in the Musical Treatises of the Saṃskṛta Tradition

Ādi-tāla: A Historical study of its Structure

Area and Scope of Research in Music

Bṛhaddēśī of Mataṅga: A Historical Perspective

Bṛhaddēśī of Mataṅga: A Note

Caturdaṇḍīprakāśikā of Vēṅkaṭamakhī – A Note

Changing Concept of Tāla in Hindustāni Music

Cilappadikāram and its Commentaries: A Study of Selected Technical Terms in Music

Cilappadikāramum adan Uraigaḷum: Cila Kalaiccoṟkaḷ

Commentaries in Samskrta Textual Tradition in Music

Concept of Art / Classical Music

Conservatory System – In the West and in India

D Pasupathi – Sruti 2019jun

Dēśī Rāga-s in Saṅgītaratnākara – Lakṣya-lakṣaṇa-virōdha in Vādanakrama

Emendations to Nātyaśātra and Abhinavabhāratī Commentary, GOS vol-4, 1964 edition

Etymological and Technical Definitions of Musical Terms

Form in Music

G.N.Bālasubrahmaṇiam and Intellectual Approach in Karṇāṭaka Music

Globalisation and Indian Music: Textual and Historical Research

Harold S Powers and India

Improvisation / Manōdharma in South Indian Music

Indian Heptatonic Scales and Diatonic Theory

Indian Musicology in the Early Modern Period: A Survey of the Pre-1940 Publications

Influence of Śāstra on Prayōga in the Post-Saṅgitaratnākara Svara System

Institutional Music Education Southern Area

Interpreting the ‘Graham’ part of the Svara passages in the Kīrtana-s of Muttusvāmi Dīkṣitar

Kalā, Mātrā, Laya and Mārga

Karnataka and Hindustani Music Systems

Karnataka Music and University Education

Karnataka Music: Compositions Composers

Lakṣya and Lakṣaṇa in Music

Lalgudi Jayaraman: Performer and Composer

Lalgudi Jayaraman’s Music: Guided Listening Sessions –1 & 2

M Balamuralikrishna – Observations on his Music

M R Gautam

M S Gopalakrishnan

Mālavikā’s Dance in the Mālavikāgnimitram of Kālidāsa

Metre and Prosody in the Music of Mārga Tradition

Music in the films of M K Tyāgarāja Bhāgavatar: Some Observations

Music Texts / Lakṣaṇagrantha: Śāstra and Śāstra-sampradāya

Musical Forms of Gāndharva

Musicology in India

Nāṭyaśāstra of Bharata: A Note

Perception of Tāla in Karnataka Music

Pre-Karṇāṭaka South Indian Art music and other Musical Systems of India

Premlata Sharma: A Great Scholar and Activist

Problems in the Editing of the Kīrtana-s of Muddusvāmi Dīkṣitar

Professor Sāmbamūrti and his Writings

R. Sathyanarayana: The Sarvajña Ṛṣi

Rāga-s Rudrapriyā, Karṇāṭaka-kāpi, Darbār and Kānaḍā : A Comparative Analysis

Research and Teaching in Music: Expectations from Computer Technology

Research and Teaching in Music: Expectations from Computer Technology

Sādhiñcenē: The Problem of Ettugaḍa

Sadrāgacandrōdaya of Paṇḍarīka Viṭṭhala

Saṅgīta and Saṃskṛta

Saṅgīta in Saṅgītaratnākara and Karṇāṭaka-saṅgīta

Saṅgītadarpaṇa of Catura Dāmōdara: Introduction

Saṅgītapārijāta of Ahōbala: An Introduction

Saṅgītaratnākara of Śārṅgadēva – A Note

Saṅgītaratnākara of Śārṅgadēva: An Introduction

Sargam and Musical Conception in the Karṇāṭaka System

Śāstra as the Meeting Point of various Prayōga Sampradāya-s

Śrī Kṛṣṇalīlā Taṅgiṇi: Index of Items

Svaramēlakalānidhi of Rāmāmātya: A Note

Śyāma Śāstrī and Svarajati

T R Subramanyam

Tāla and Gati / Melodic Metre in Karnataka Music

Tāla and Laya

Tāla-Daśa-Prāṇa and the Musicological problems in present day Tāla system

Tāla-s in Hindustani Music

Tāla: A Conceptual and Structural Analysis

Tāna-varṇam: Less Studied Aspects

Technology Based Distance Education Method in Music

Textual Studies and Musical Forms

The Akṣara-Mātrā Terminological Problem in Tāla

The Concept of Śruti-jāti

The Concept of Mēla

The Concept of Rāga

The Concept of Śruti

The Date of Saṅgītamakaranda of Nārada

The Influence of Theory on the Practice of Music

The Problem of Dēśī in Bṛhaddēśī

The Prose and Verse Portions of Bṛhaddēśī: Their Mutual Relationship

The Role of Research in Music Education

The Scale of Sāmagāna

The Text of Saṅgītaratnākara

The Treatment of Tāla in Saṅgītaratnākara vis-a-vis Nāṭyaśāstra and Dattilam

Trikālam in Ancient Texts and in Modern Practice

Understanding Modern Tāla-s in the Background of the Ancient System of Tāla

Vādī, Saṃvādī, Vivādī and Anuvādī Svara-s

Various Types of Pūrvaraṅga

Vīṇā Balachander: AIR Interview 13-03-1990: Audio

Violinists in Karunarmirtha Sagaram

Viśākhila’s work on Music – An Attempt at Reconstruction