Area and Scope of Research in Music

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Commentaries in Samskrta Textual Tradition in Music

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Concept of Sruti jati

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D Pasupathi – Sruti 2019jun

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Etymological and Technical Definitions of Musical Terms

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Indian Heptatonic Scales and Diatonic Theory

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Influence of Śāstra on Prayōga in the Post-Saṅgitaratnākara Svara System

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Institutional Music Education Southern Area

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Kalā, Mātrā, Laya and Mārga

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Karnataka Music Compositions Composers

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Lalgudi Jayaraman: Performer and Composer

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Musical Forms of Gandharva

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Musicology in India

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Premlata Sharma: A Great Scholar and Activist

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Problems in Editing Kirtanas of Muddusvami Diksitar

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Sastra as the Meeting Point of various Prayoga Sampradayas

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Tāla: A Conceptual and Structural Analysis

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The Concept of Mela

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The Concept of Sruti

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The Prose and Verse Portions of Bṛhaddēśī: Their Mutual Relationship

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The Text of Sangitaratnakara

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Treatment of Tala in SR visavis NS and Dattilam

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Understanding Modern Talas in the Background of Ancient System

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vAdi samvAdi vivAdi and anuvAdi svaras

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Various Types of Pūrvaraṅga

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Violinists in Karunarmirtha Sagaram

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