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      • Hema Ramanathan
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Abhinavagupta’s interpretation of the Music in Nāṭyaśāstra

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Acoustical Observations in the Musical Treatises of the Saṃskṛta Tradition

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Ādi-tāla: A Historical study of its Structure

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Area and Scope of Research in Music

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Bṛhaddēśī of Mataṅga: A Historical Perspective

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Bṛhaddēśī of Mataṅga: A Note

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Caturdaṇḍīprakāśikā of Vēṅkaṭamakhī – A Note

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Changing Concept of Tāla in Hindustāni Music

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Cilappadikāram and its Commentaries: A Study of Selected Technical Terms in Music

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Cilappadikāramum adan Uraigaḷum: Cila Kalaiccoṟkaḷ

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Commentaries in Samskrta Textual Tradition in Music

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Concept of Art / Classical Music

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Conservatory System – In the West and in India

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D Pasupathi – Sruti 2019jun

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Dēśī Rāga-s in Saṅgītaratnākara – Lakṣya-lakṣaṇa-virōdha in Vādanakrama

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Emendations to Nātyaśātra and Abhinavabhāratī Commentary, GOS vol-4, 1964 edition

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Etymological and Technical Definitions of Musical Terms

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Form in Music

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G.N.Bālasubrahmaṇiam and Intellectual Approach in Karṇāṭaka Music

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Globalisation and Indian Music: Textual and Historical Research

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Harold S Powers and India

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Improvisation / Manōdharma in South Indian Music

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Indian Heptatonic Scales and Diatonic Theory

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Indian Musicology in the Early Modern Period: A Survey of the Pre-1940 Publications

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Influence of Śāstra on Prayōga in the Post-Saṅgitaratnākara Svara System

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Institutional Music Education Southern Area

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Interpreting the ‘Graham’ part of the Svara passages in the Kīrtana-s of Muttusvāmi Dīkṣitar

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Kalā, Mātrā, Laya and Mārga

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Karnataka and Hindustani Music Systems

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Karnataka Music and University Education

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Karnataka Music: Compositions Composers

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Lakṣya and Lakṣaṇa in Music

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Lalgudi Jayaraman: Performer and Composer

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Lalgudi Jayaraman’s Music: Guided Listening Sessions –1 & 2

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M Balamuralikrishna – Observations on his Music

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M R Gautam

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M S Gopalakrishnan

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Mālavikā’s Dance in the Mālavikāgnimitram of Kālidāsa

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Metre and Prosody in the Music of Mārga Tradition

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Music in the films of M K Tyāgarāja Bhāgavatar: Some Observations

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Music Texts / Lakṣaṇagrantha: Śāstra and Śāstra-sampradāya

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Musical Forms of Gāndharva

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Musicology in India

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Nāṭyaśāstra of Bharata: A Note

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Perception of Tāla in Karnataka Music

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Pre-Karṇāṭaka South Indian Art music and other Musical Systems of India

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Premlata Sharma: A Great Scholar and Activist

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Problems in the Editing of the Kīrtana-s of Muddusvāmi Dīkṣitar

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Professor Sāmbamūrti and his Writings

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R. Sathyanarayana: The Sarvajña Ṛṣi

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Rāga-s Rudrapriyā, Karṇāṭaka-kāpi, Darbār and Kānaḍā : A Comparative Analysis

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Research and Teaching in Music: Expectations from Computer Technology

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Research and Teaching in Music: Expectations from Computer Technology

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Sādhiñcenē: The Problem of Ettugaḍa

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Sadrāgacandrōdaya of Paṇḍarīka Viṭṭhala

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Saṅgīta and Saṃskṛta

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Saṅgīta in Saṅgītaratnākara and Karṇāṭaka-saṅgīta

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Saṅgītadarpaṇa of Catura Dāmōdara: An Introduction

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Saṅgītapārijāta of Ahōbala: An Introduction

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Saṅgītaratnākara of Śārṅgadēva – A Note

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Saṅgītaratnākara of Śārṅgadēva: An Introduction

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Sargam and Musical Conception in the Karṇāṭaka System

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Śāstra as the Meeting Point of various Prayōga Sampradāya-s

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Śrī Kṛṣṇalīlā Taṅgiṇi: Index of Items

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Svaramēlakalānidhi of Rāmāmātya: A Note

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Śyāma Śāstrī and Svarajati

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T R Subramanyam

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Tāla and Gati / Melodic Metre in Karnataka Music

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Tāla and Laya

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Tāla-Daśa-Prāṇa and the Musicological problems in present day Tāla system

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Tāla-s in Hindustani Music

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Tāla: A Conceptual and Structural Analysis

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Tāna-varṇam: Less Studied Aspects

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Technology Based Distance Education Method in Music

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Textual Studies and Musical Forms

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The Akṣara-Mātrā Terminological Problem in Tāla

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The Concept of Śruti-jāti

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The Concept of Mēla

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The Concept of Rāga

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The Concept of Śruti

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The Date of Saṅgītamakaranda of Nārada

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The Influence of Theory on the Practice of Music

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The Problem of Dēśī in Bṛhaddēśī

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The Prose and Verse Portions of Bṛhaddēśī: Their Mutual Relationship

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The Role of Research in Music Education

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The Scale of Sāmagāna

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The Text of Saṅgītaratnākara

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The Treatment of Tāla in Saṅgītaratnākara vis-a-vis Nāṭyaśāstra and Dattilam

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Trikālam in Ancient Texts and in Modern Practice

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Understanding Modern Tāla-s in the Background of the Ancient System of Tāla

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Vādī, Saṃvādī, Vivādī and Anuvādī Svara-s

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Various Types of Pūrvaraṅga

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Vīṇā Balachander: AIR Interview 13-03-1990: Audio

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Violinists in Karunarmirtha Sagaram

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Viśākhila’s work on Music – An Attempt at Reconstruction

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SOUTH INDIAN MUSIC

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